Saturday, September 21, 2013

SHATTERED GLASS: All the Prevaricator's Men


Stop the presses! This blog is part of the Journalism in Classic Film Blogathon, co-hosted by Lindsay’s Movie Musings and Comet Over Hollywood, from September 21st through September 22nd!


Based on journalist H.G. “Buzz” Bissinger’s Vanity Fair article, and produced for the big screen in 2003 by Tom Cruise (yes, that Tom Cruise) and Paula Wagner, the docudrama Shattered Glass tells the true rise-and-fall story of young journalist Stephen Glass, in a compelling performance by Hayden Christensen (from Star Wars: Episode II - Attack of the Clones; Star Wars: Episode III - Revenge of the Sith).  Steve, as most of his colleagues called him, rose to journalistic fame at The New Republic Magazine (TNR for short), yet he’s still humble and modest enough to take the time to be a special guest in his former high school in Highland Park, Illinois (played by Toronto), talking to a class of teenagers eager to hear the secret of Steve’s success:

“There are so many showoffs in journalism, so many braggarts and jerks.  They’re always selling, always working the room, always trying to look hotter than they actually are.  The good news is reporters like that make it easy to distinguish yourself.  If you’re even a little bit humble, a little self-effacing or solicitous, you stand out.  So you bring a co-worker lunch if he’s buried under a deadline.  You remember birthdays.  It’s true, journalism is hard work.  Everybody’s under pressure, everybody’s grinding to get the issue out, nobody’s getting any sleep—but you are allowed to smile every once in a while.  I mean, even Woodward and Bernstein went out for a burger now and then, and they won a Pulitzer.”   


Everybody dance! It's The Recreation of Ian Restil!
Set in 1998, Shattered Glass starts with the film’s prologue, explaining that TNR was first published in 1914, and it’s been a fixture of American political commentary ever since.  In May of that year, its staff was comprised of 15 writer/editors, with Steve being the youngest.  In fact, Steve was not only the youngest among TNR’s reporters at the time, but for a while, he was also one of TNR’s most sought-after writers among its young its staff (their median age was 26).  You can well imagine the kind of pride Steve and his young colleagues must have felt, with perhaps even just a touch of smugness.  After all, TNR is known with both pride and straight faces as “The in-flight magazine of Air Force One.” Even Steve’s high school teacher, Mrs. Duke (Caroline Goodall from Schindler’s List; Harrison’s Flowers; The Princess Diaries movies) can’t help beaming as she rattles off Steve’s triumphs and credits:  “Contributing Writer for Harper’s Magazine.  Contributing Writer for George Magazine.  Contributing Writer for Rolling Stone.  Associate Editor of The New Republic Magazine.”  At the time Steve was working for TNR, he’d written 41 articles. Pretty impressive for such a young writer!  Where did Steve get his amazing sources, with those colorful people worthy of the finest fiction?  Where did Steve find these fascinating people about whom he wrote so well?  Could they be too fascinating to be true?  I mention this up front because, to paraphrase James Cagney in Billy Wilder’s One, Two, Three, I want to show you the kind of person we’re dealing with: real shifty!

As of 1998 in the film, TNR hadn’t updated its all-text, no-pictures format in decades.  Writer Charles “Chuck” Lane (Peter Sarsgaard from The Skeleton Key; Kinsey; Woody Allen’s Blue Jasmine) figures if it isn’t broken, it doesn’t need fixing:

Chuck:  “If they want photographs, they can buy Newsweek.”

Lewis Estridge (Marc Blum from Desperately Seeking Susan; Crocodile Dundee; The Presidio) “They do buy Newsweek.  And Time.  And U.S News & World Report.  Our losses are a joke.”

"Ah, my New Republic, how they love me!" Steve basks in his clippings!
Ian Restil and his entourage are down to earth, even if his mom was in TV's Alien Nation!
Steve secures  Amy Brand's loyalty


Never a true, er, dull moment at TNR's bullpen!

Who IS this Ian Restil kid?  Forbes' roving reporter Adam Penenberg
is determined to catch this phantom menace!














Just the fact-checkers, ma'am!


Steve’s profiles have more colorful, memorable people than there are stars in the heavens!  Then comes Steve’s biggest score yet: “Hack Heaven,” the story of one Ian Restil  (Owen Roth, a.k.a. Rotharmel), a teenage hacker who did such a great job torching the software company Jukt Micronics, they hired him, complete with perks ranging from rare comics to sports cars to girlie magazines!  When “Hack Heaven” goes live, Adam Penenberg  (Steve Zahn from Out of Sight; That Thing You Do!; You’ve Got Mail; the Diary of a Wimpy Kid movies) gets something of a spanking from his boss, Kambiz Foroohar (Cas Anvar from Argo; The Terminal; Source Code) when TNR scoops Forbes!  And so the story starts unraveling!   By the way, if you have fond memories of the Alien Nation film and TV series, don't blink or you'll miss Michele Scarabelli,who, you'll see, also turns out to be a figment of Stephen Glass's journalistic imagination!


Chuck seems to be the only person at TNR who doesn’t fawn all over Steve! Maybe that’s why Steve often gets his nose out of joint when Chuck’s around, though there seems to be no reason to be.  Like a kid, Steve will do anything to get attention.  Considering Steve is writing for other political magazines, too, it seems he’ll have quite a career ahead of him, especially with a great editor like TNR’s Michael Kelly (Hank Azaria from The Birdcage; Grosse Point Blank; TV’s The Simpsons) to support Steve and the rest of the staff.  Sure, Steve isn’t perfect:  he was briefly in hot water when his article “Spring Breakdown,” about the Young Republicans’ drunken antics at the CPAC conference, seemed to be just an innocent error regarding the hotel’s minibarsLuckily, Michael backed Steve up; what a guy!  Whatever Steve’s emotional issues, he sure knew how to write fascinating and colorful articles, like the one inspired by the Evander Holyfield fight.  Steve describes calling a Bible-Belt radio station, claiming to be an expert on “human-on-human biting,” keeping callers rapt and entertained for hours!

But all is not bliss at TNR.  Michael and head honcho Marty Peretz (played by director Ted Kotcheff, on the other side of the camera this time. He’s best known here at Team Bartilucci HQ as the director of Who is Killing the Great Chefs of Europe?), who’s equally strong-willed, all too often end up butting heads with each other.  Sadly, Michael is eventually given his walking papers, and Marty crowns Chuck as Editor.  Chuck isn’t too thrilled to get the Editor gig, since he feels he hasn’t really earned it, especially with his colleagues being resentful about the overall situation.  On top of that, Chuck’s new baby is under the weather; as a mom, I can totally sympathize with Chuck and his wife Catarina (Simone-Élise Girard from Carny; Eraser; TV’s E.R.)!

Workplace drama aside, Steve sure seems to have a knack for this kind of reporting; as his colleague David Bach (Chad Donella from Final Destination; The Long Kiss Goodnight; TV’s Flashpoint) says in amazement, “Where does he find these people?”  Could it be that the subjects of Steve’s articles are too good to be true?  Nah, not a sweet, sensitive guy like Steve, surely?  After all, he goes out of his way to assist his TNR colleagues, helping with everything from colleagues under deadline pressure, to suggesting cosmetics and trinkets for baby showers, courtesy of kind-hearted receptionist Gloria (Linda E. Smith from The Aviator; Taken; The Punisher).  Indeed, Steve is helpful almost to the point of creepiness.  For instance, Steve throws a party at his pad with friends and writers from other notable magazines—all while he works the room in his boyish, passive-aggressive way.  While getting refreshments, Steve’s colleague Amy Brand (Team Bartilucci fave Melanie Lynskey from Heavenly Creatures; The Informant!; The Perks of Being a Wallflower; TV’s Two and a Half Men and The L Word) discovers Steve had gone way out of his way to get cold soda on ice for Amy, mentioning he’d remembered her mentioning it—a couple of years ago! Oh, and the beverages are in alphabetical order.  If the TNR gig eventually went south, maybe the meticulous Steve could’ve gotten a gig working for Martha Stewart! 

The subjects of Steve’s articles have more colorful, memorable people than stars in the heavens!   And yet, Steve can also come across as dreadfully insecure, like when colleague Caitlin Avey (Chloë Sevigny, Oscar nominee for Boys Don’t Cry and American Psycho; TV’s Big Love, and Portlandia) takes Steve to task when she notices Steve is applying to college.  Apparently, despite his success at TNR, Steve is still under his family’s thumb:

Steve: “I told you, it’s my parents, OK?  They never shut up about it.  If I don’t go, they won’t let me be a journalist anymore.”

Caitlin:  “’Let you?’  You’re 24 years old, Stephen.”

Steve: “You don’t know how things go where I grew up, Caitlin, OK?  There are rules there.  If you’re not a doctor or a lawyer, you keep your curtains closed.”

Apparently Steve’s parents didn’t think “The in-flight magazine of Air Force One” was good enough for Mommy and Daddy!  Steve’s insecurity is both poignant and maddening.  Too bad; perhaps he’d have had the courage to man up and stand up to his parents, instead of letting down the colleagues who believed in him.  When Steve is in his reporter element, you can see how, bit by bit, he becomes more comfortable in-charge, confident—too much so, perhaps?


Steve eventually writes 41 memorable articles for TNR, and his future looks bright.  Then comes Steve’s biggest score yet: “Hack Heaven,” the story of Ian Restil (Owen Roth, a.k.a. Rotharmel), a teenage hacker who torched the heck out of a big software company, Jukt Micronics, boasting, “The Big Bad Bionic Boy Has Been Here, Baby!”  According to roving reporter Steve, Ian’s antics resulted in Jukt hiring Ian (if you can’t beat ‘em, join ‘em), complete with perks ranging from rare comics to sports cars to girlie magazines, not to mention driving legislators crazy: “Turns out there are 21 states considering versions of a law called The Uniform Security Act, which would criminalize hackers and the companies they’ve torched.”  What a scoop, and what fun Steve has in his triumph, jumping on the table himself as Steve channels Ian: “I want a Miata!  I want my Playboys!  I wanna go to Disney World!”  The usually quiet Steve shakes his moneymaker at the TNR meeting, shouting “Show me the money!” “Hack Heaven” was Steve’s best article to date—and the one that brought about his downfall. 


While “Hack Heaven” gets showered with accolades, over at New York City’s Forbes Digital Tool, writer Adam Penenberg (Steve Zahn from Out of Sight; That Thing You Do!; You’ve Got Mail; the Diary of a Wimpy Kid movies) finds himself getting a spanking (figuratively speaking, natch!) from his boss, Kambiz Foroohar (Cas Anvar from Argo; The Terminal; Source Code) when TNR scoops Forbes!  Pooling their resources to see what’s up, Chuck and Steve get together with Adam, Kambiz and their Forbes Digital Tool colleague Andy Fox (Rosario Dawson from Sin City; Death-Proof; Rent), and start investigating.  Nobody can locate any of the people in Steve’s article anywhere!  When the Forbes folks try to get in touch, they discover Steve’s allegedly high-powered agents and other sources only have one land line.  When Steve produces a rather wan, lackluster business card for the agent ID’d as “Jim Ghort,” it’s clear to our protagonists that Steve’s been scrambling to cover himself; after all, it’s strange and amateurish to have software companies where only AOL members could access it.   Ah, how quaint this new technology was back in 1998!  (Heck, I’m still trying to get the hang of it here in 2013!  Thank goodness my sweet hubby is a computer programmer!)  As Adam puts it:“This guy is toast.”



Giving Steve every chance, Chuck offers to help him find the locations of the hacker conference in Bethesda, MD.  After all, this young man is really just a troubled kid, and anyone can get snowed by a source.  But when Chuck and Steve hit Bethesda, things go from bad to worse.  They discover the supposedly huge hacker conference in the article was just a tiny reception desk only open on Sundays.  The restaurant where Ian Restil and his entourage supposedly dined wasn’t even open at that time!  And it doesn’t help that Steve blows up at Chuck: “You’re supposed to support me!  I feel really attacked!”  Steve trips himself with one lie after another, displaying his true weasel colors!  Chuck’s patience is wearing wafer-thin; I don’t blame him!  Even Chuck finally loses his cool (so did I, on Chuck’s behalf!) when Steve tells Chuck, “If you want me to say I made it up, I will.  If that’ll help you, I’ll say it.”  Chuck realizes Steve is trying to make him look like the bad guy!  Talk about chutzpah!

Writer/director Billy Ray (The Hunger Games; State of Play; Flightplan) portrays the characters with both humor and rueful sympathy. I like the irony of Steve being so meticulous with facts and figures—just not where they counted!  Notice how, bit by bit, Steve gets more bold and confident; maybe Steve’s becoming a bit too confident, until the Forbes folks discover the “Hack Heaven” inconsistencies, smelling a rat—or rather, a weaselas they untangle Steve’s web of fiction masquerading as fact.

My husband Vinnie hated sneaky Stephen Glass even more than I did, but then, Vin can't stand Hayden Christensen in general; he felt Christensen came off whiny in both his Star Wars movies and Shattered Glass.  For all we know, Christensen might be a totally nice guy in real life, but he sure was a convincing conniver in the film, so kudos to Christenson, as well as writer/director Billy Ray (The Hunger Games; State of Play; Flightplan)!

Between Star Wars movies (Star Wars: Episode II - Attack of the Clones; Star Wars: Episode III - Revenge of the Sith ), Hayden Christensen did a fine job of playing Stephen Glass, the complicated real-life character who turned out to be a weasel-in-sheep's-clothing.  As one of TNR’s young journalists, Steve’s star was rising, and soon hot magazines including George and Rolling Stone wrote for him as well, among other hot, smart publications in the 1990s… until it was discovered that Glass had made up many of the people and events portrayed in his articles our of whole cloth, thanks to a loophole in TNR’s fact-checking system that allowed coverage corroborated by the reporter himself.  In addition, TNR didn't use photos in its articles then, making it far easier for the wily Mr. Glass to create characters from whole cloth.  Hayden Christensen often comes across as a whiner in his film roles even when he's playing a good guy, so in my opinion, he was perfect casting as Stephen Glass, a young man so adept at manipulating, lying, and making people feel sorry for him that I felt like smacking him even before his true colors became clear to the increasingly frustrated, outraged Chuck.  Sarsgaard's slow burns in his scenes with Christensen are worth the price of admission, especially in scenes where Steve (and his accomplice brother in Palo Alto) pester Chuck at home when he's trying to have time with his wife and sick baby.  The little tyke might have only had teething issues, but as a mom, I’ve been there and can sympathize, plus Chuck already has his hands full at TNR’s hectic pace. Hey, Steve, get off the phone already—some of us have busy real lives to attend to!

I almost felt sorry for Steve during the Bethesda fact-checking trip, in hopes of giving Steve another chance—but any sympathy I had for him faded fast when he started spinning it like it was Chuck’s fault. , The last nail in the coffin (so to speak) was when David mentioned that Steve’s brother lived in Palo Alto—where the mythical “George Sims” also lived!  Chuck goes through every TNR issue, and the jig is up at long last!  What nerve!  No wonder Peter Sarsgaard got his well-deserved Golden Globe Award nomination for his performance as Chuck Lane!

Lovable receptionist  Gloria hits the nail on the head:

Gloria: “You know what could have prevented all this, don’t you?”
Chuck: “No, what?”
Gloria: “Pictures.  How could you make up characters if everyone you wrote about had to be photographed?”

Gloria’s right; not using pictures allowed Steve to keep the fabrications going until “Hack Heaven” tripped him up, shining a glaring light upon his lies at last. And so we come full circle.  It just goes to show a picture really is worth a thousand words!  Too bad TNR didn’t have a fiction column; it would have saved Steve and everyone else a lot of agita! 

Ironically, after Glass was finally fired from The New Republic, he later wrote a novel, The Fabulist, about a young reporter who fabricated his articles. It was met with disdain, with critics finding the book self-serving

Shattered Glass was dedicated to Michael Kelly, who was killed in Operation Iraqi Freedom in April, 2003.

Stephen Glass’ friend and TNR colleague, David Plotz, also wrote an excellent first-person’s article about what Steve was like in real life and the film.  They're well worth reading:


http://www.slate.com/articles/news_and_politics/life_and_art/2003/09/steve_and_me.single.html#pagebreak_anchor_2  (Click here)
http://www.forbes.com/1998/05/11/otw3.html
http://www.forbes.com/1998/05/11/otw3.html



26 comments:

  1. No power on earth could get me to watch this movie, Dorian. But that doesn't mean, of course, that I didn't enjoy reading your post. :)

    I don't like Hayden Christensen either. I thought he was simply awful in the Star Wars films. JUST AWFUL. How he got cast is a mystery to me.

    This guy Steve sounds like a total sleaze-bag. Why is it always the sleazes who get films based on their hijinks? No wait, I KNOW the answer. :)

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    1. Yvette, my friend, you and I definitely see eye-to-eye about both Stephen Glass AND Hayden Christensen! I think I read somewhere that Christensen's mom was an agent or something; if that's true, it explains a thing or two, but I suppose he's gotta eat, too! :-) But I must say he was quite convincing as a weasel par excellence! In any case, I'm delighted that you were able to enjoy my post, and heck, at least the picture of the weasel in the wild was kinda cute, really! ;-) Thanks for being the first to join the Blogathon, my friend!

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  2. I have to second the motion when it comes to Christensen, Dorian -- P-U! That's why I'm glad your article was not just fun but gave me the full skinny on the story! What an arrogant idiot that guy was ... how on earth could he really believe he could continue to get away with what he was doing? I would like to see Sarsgaard's performance, as I think he is a fine actor and has a juicy part to play. You really described this guy's creepiness perfectly: "Steve had gone way out of his way to get cold soda on ice for Amy, mentioning he’d remembered her mentioning it—a couple of years ago! Oh, and the beverages are in alphabetical order." Didn't anybody else besides the one doubter think this was just a tad psycho?

    Good job on this one, Dorian -- loved your pics and captions as always!

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    1. Becky, I'm tickled pink to have you join the Journalism in Classic Film fun and frolic! I'm in total agreement with you: it boggles my mind that so many people fell for Steve's lies, bull, and general weirdness! Maybe it was because many of the folks at The New Republic were quite young themselves, and their well-meant naivete tripped them up -- but then again, how the heck did the relatively older personnel fall so easily for Steve's Kool Aid? Anyway, I'm glad you're here to enjoy the Blogathon fun, Big Sis! Beaucoup thanks for your kind accolades! :-D

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  3. Honestly, I thought Christensen was good in this. He looks like crap in the SW movies because Lucas is not, and never was, good with actors. Could you imagine that Natalie Portman would go on to win an Oscar based on seeing her in the prequels?

    I forgot that this was based on an article by Buzz Bissinger. I love his sports books.

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    1. Hey, Rich, glad to have you aboard for the Journalism in Classic Film Blogathon! I had read the original VANITY FAIR article about Stephen Glass, so I sought out the article. Hayden Christensen isn't my favorite actor, BUT his performance in SHATTERED GLASS was unnervingly convincing, almost Norman Bates-like, in a way! His character would NOT be my idea of a heartthrob, but he was superb as a devious, passive-aggressive conniver! I think Christensen and Peter Sarsgaard made excellent adversaries. And I agree with you about Natalie Portman getting the Oscar gold despite George Lucas; he's a whiz at creating worlds, but his skill, or lack of it, is a major handicap, and it's a shame he doesn't seem to grasp that. In any case, I'm glad we got a chance to catch up with you, my friend!

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  4. I've seen this movie many times AND have read Glass' self-serving book AND read the Vanity Fair article AND the articles done by Forbes online. When I first heard about this, I read everything I could about it. It was fascinating to discover how much he got away with. I mean, his stories were ridiculous!

    Wonderful review, Dor. Hayden C. is really good in this film - perfect as the insecure, attention-addicted Glass. And this movie is a wonderful contribution to the blogathon.

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    1. Ruth, many thanks indeed for your kind accolades for my SHATTERED GLASS post! I'm glad to see that you too were intrigued and outraged by the wily Mr. Glass' strange-but-true story (I first heard of it in VANITY FAIR, too)! It's gob-smacking how Glass' trickery fooled so many people, from cub reporters to seasoned writers. I guess it's like co-star Peter Sarsgaard said as Chuck Lane in the film; people let themselves be snowed because: "He was entertaining." Thanks again for your kudos, my friend!

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  5. Since I seem to have accidentally entered the "Dump on Hayden Christensen Blog-a-thon" I'll go on record here as saying he certainly wasn't the worst thing about the three "prequel" Star Wars films (but I sort of kept hoping Yoda would smack him on the nose with his cane and go: "Whiny Bitch you are!").

    “You don’t know how things go where I grew up, Caitlin, OK? There are rules there. If you’re not a doctor or a lawyer, you keep your curtains closed." And there you have perhaps the main thing that's kept me from watching SHATTERED GLASS. I understand that Steve's parents make up a small fraction of the film, but I have unfortunately encountered enough such people in real life that even seeing them depicted in fiction sometimes makes my head hurt. Not only that, but it's hard for me to pull entertainment out of a character who's a chronic liar (unless, of course, you happen to be Tony Curtis in THE GREAT IMPOSTOR, in which case it's cool). I suspect that your write-up of SHATTERED GLASS will be more fun for me than seeing the actual film.

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    1. Michael, I think you've got something there with your "Dump on Hayden Christensen Blogathon" bon mot! As I said, I certainly don't know Christensen personally, and he may very well be a total teddy bear in real life, but in SHATTERED GLASS and the STAR WARS films, he's certainly convincing when he plays whiners and connivers! Also, you had me laughing out loud at your witty Yoda crack: "Whiny Bitch you are!" And like you, we of Team Bartilucci have also found ourselves among similar people who make our heads hurt that way! I'm with you, Michael: give me Tony Curtis in THE GREAT IMPOSTER anytime! Thanks for joining the Blogathon conversation any time, my friend, even when there isn't a Blogathon brewing! :-)

      P.S.: I heartily agree with your aside: "If they're going to make films about real-life, modern-day weasels, then how about one dealing with whoever invented the system of using optically distorted words that need to be typed in accurately in order to verify authenticity of a statement?" That's another one of the inconveniences of modern life that occasionally irritate me. At least it's only a small inconvenience, thank goodness! :-)


      Michael

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  6. I liked this film a lot. As with BREACH, Ray's follow-up film as a director, this seems less interested in the "why" (why did Stephen Glass fabricate his stories, and why did Robert Hanssen sell government secrets to the Soviet Union) then the "how", and is all the better for it. And I thought Christensen nailed Glass' seeming humility that was a cover for something darker. My one complaint about the film is the final scene. As that classroom scene is happening in Glass' head, it's entirely appropriate the class of adoring students would be applauding Glass' "lecture". But when Chuck Lane returns to The New Republic and his co-workers started applauding him, after all the battles he had with them to try and convince them he was trying to expose Glass for what he was, that felt self-serving and self-congratulatory. Otherwise, as I said, this is a fine film, and a great write-up, Dorian.

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    1. Sean, thanks for your praise of my SHATTERED GLASS post! You make an interesting point about the scene near the end about Chuck returning to TNR having a perhaps too self-congratulatory. That said, you also made a very good point about Steve's "seeming humility (being) a cover for something darker." The guy had issues for sure, and I don't just mean issues of THE NEW REPUBLIC!

      Thanks also for reminding me that Billy Ray also wrote and director BREACH, a film I've been meaning to catch up with for some time! Much obliged, my friend!

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  7. I'm convinced that somewhere inside of Hayden Christensen is a good actor aching to get out. Maybe it's in this movie that you have introduced me to with this article.

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    1. Caftan Woman, perhaps Hayden Christensen could sport more acting range if he got more demanding roles like in SHATTERED GLASS. Maybe he needs a better agent or something! :-)

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  8. This is one of my favorite movies, and I think Christensen's performance is an amazing calculation of faux-self deflation and manipulation. He learns the rules and gets away with doing the minimum amount of work with the greatest amount of panache, and has become so ingratiated that everyone defends him for it!

    It's a great movie not just about systemic failures for a journalist, but as something that could happen in any organization where it becomes so focused on success that it doesn't maintain stringent internal standards.

    I think I'm going to watch it again now. Thanks for the article!

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    1. Danny, you've truly hit the proverbial nail on the proverbial head where SHATTERED GLASS is concerned! I especially liked your comments: "... an amazing calculation of faux-self deflation and manipulation..." and how what happened at TNR because "they were so focused on success that it (didn't) maintain stringent internal standards." Thanks a million for your kudos and comments!

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  9. Yet another film included in this event I haven't seen, but it sounds great! Thorough, fascinating read, Dorian!

    Aurora

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    1. Aurora, many thanks for your kind comments on my SHATTERED GLASS post! It's one heck of a read; I'd be interested to hear your opinion this strange but true story!

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  10. I recently re-read the original Vanity Fair article, and I had no idea there was a film 'adaptation'. I have a fondness for so-bad-they're-good films from the 90s, so I can't believe this one had escaped my attention - Christensen's character sounds incredible! Thanks for sharing

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    1. Glad to meet you, girlsdofilm! Thanks for your comments on Stephen Glass' bizarre story! Glass was a piece of work, for sure! I'm heading to your blog site, too. Thanks for joining in the Journalism in Classic Film Blogathon!

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    2. Thanks for your SHATTERED GLASS comments, and by the way, I love your moniker "girlsdodofilm"! Stephen Glass was such an odd, complicated guy, he was almost like one of the characters he dreamed up for his unsuspecting TNR colleagues! Glad you joined us here at the Blogathon conversation!

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  11. I recently re-read the original Vanity Fair article, and I had no idea there was a film 'adaptation'. I have a fondness for so-bad-they're-good films from the 90s, so I can't believe this one had escaped my attention - Christensen's character sounds incredible! Thanks for sharing

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  12. What a stinker! What a great choice for this blogathon! And - what a great article, Dorian, Kudos!

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    1. Beaucoup thanks for your welcome and witty praise for my SHATTERED GLASS post, Chick! Stephen Glass was a stinker, all right, but I'll give him this: he sure knew how to spin a wild and crazy yarn! :-)

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  13. Wow!, somehow I missed this blogathon which I would have participated in. Anyway, this is a good film and one that should be shown in classes on ethics and the standards journalist should live by. A wonderful in depth look at a film that should be better known.

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    1. John, I'm so sorry to hear you missed the Journalism in Classic Film Blogathon! It only ran two days, last weekend; you'd have loved it. I agree with you that SHATTERED GLASS is absolutely required viewing for journalists who take ethics seriously. Thanks for joining the conversation, my friend!

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