Showing posts with label George Zucco. Show all posts
Showing posts with label George Zucco. Show all posts

Sunday, November 4, 2012

The Cat and The Canary (1939) - Cat Ballyhoo!


Where there’s life, there’s Hope—Bob Hope!  Okay, so I borrowed that from an ad line from another one of Hope’s comedies, but the point is, Bob Hope and Paulette Goddard were a delightful team in their first film together, Paramount’s The Cat and The Canary (TC&TC).  Produced by Arthur Hornblow of Witness for the Prosecution fame, and based on John Willard’s original 1922 stage play, the popular thriller was eventually adapted for both stage and screen in 1927 and 1930.  Director Elliott Nugent (My Favorite Brunette, Up in Arms) joined forces with Hope and Goddard for this 1939 version of the story, adding more witty, playful comedy and romance to Willard’s thriller. This version worked so well that Hope and Goddard made two more films together: The Ghost Breakers (1940), and Nothing But the Truth (1941).  For the record, there was also a 1979 version.  I never saw it, but the stars sound promising:  Yanks Carol Lynley and Michael Callan, and Brits Honor Blackman, Wendy Hiller, Edward Fox, Olivia Hussey, Daniel Massey, Peter McEnery, and Wilfrid Hyde-White. But I digress….

 Here's looking at you, kids!



Universal actually owned the rights to Willard’s play, but sold them to Paramount. Fun Fact: the film, along with the 1940 film The Ghost Breakers (which I’ll discuss next time), was an inspiration to Walt Disney for his Haunted Mansion attraction at Disneyland!   Focusing on the funny, The New York Times’ film critic Frank S. Nugent describes Bob Hope not as the thing with feathers a la Emily Dickenson, but as having “a chin like a forehead and a gag line for every occasion… (This version of the story) is more hair-brained than hair-raising, which is as it should be.”  I agree: with this cast, fun and suspense make a swell team, including the delightful Nydia Westman (the 1933 version of Little Women; The Remarkable Andrew; The Ghost and Mr. Chicken) as Cousin Cicily, a charmingly daft flibbertigibbet among the late Cyrus Norman’s relatives.  The supporting cast weren’t small potatoes, either, with George Zucco (The Mummy; After the Thin Man; The Hunchback of Notre Dame) and Gale Sondergaard (Anna and the King of Siam; The Letter; and Best Supporting Actress Oscar-winner for Anthony Adverse).  I especially enjoyed Sondergaard as Miss Lu; she’s kinda like a sophisticated Bayou Mrs. Danvers played for straight-faced laughs, blending mystery, menace, and mirth. Both Zucco and Sondergaard  playfully spoof the more ominous roles they were known for, while still being spooky enough to keep viewers on their toes, blending suspense and comedy into a sparkling cocktail. As Lawyer Crosby (no relation to Hope’s future screen co-star Bing Crosby), George Zucco’s foreboding presence adds the right touch of menace.   

Meet the lady known as Lu!
Hope’s movie career had begun with The Big Broadcast of 1938, and Goddard started her career as a child model, debuting in The Ziegfeld Follies at the tender age of 13!  Goddard’s fame as the Follies’ girl on the crescent moon put her on the map.  She was married to a a millionaire at the age of 16—and divorced not long after that.  After dissolving her marriage in 1931, Goddard went to Hollywood, where her natural talent and beauty sent her stardom soaring, bewitching Hollywood’s elite.  She earned a Best Supporting Actress Oscar nomination in the 1943 war drama So Proudly We Hail!  She attracted some pretty remarkable fellas as husbands, too:  Charlie Chaplin; Team Bartilucci fave Burgess Meredith; and author Erich Maria Remarque of All Quiet on the Western Front fame. Goddard also did her bit for higher education, leaving over $20 million to New York University when she died in 1990.  What a gal!

Hello, I’m Mrs. Trumbull! Mrs. Ricardo
recommended me. Anyone need a
babysitter for spectral spooks?

The plot involves a gaggle of distant cousins who’ve come together after 10 years for the reading of Cyrus Norman’s will.  In the great comedy-thriller tradition, the prettiest and most generally winsome gal, Joyce Norman (Goddard) finds herself the designated Lady in Distress, while the affable, quip-slinging actor Wally Campbell (Hope) has noticed how little Joyce has grown up quite nicely.  Attraction is in the air, and no wonder, with the delightful chemistry between Hope and Goddard!  I especially liked the way Wally manages to be brave for Joyce in spite of his nervousness. 


Joyce and Wally ain’t afraid of no ghosts!
That comes later, in The Ghost Breakers!

In addition to Joyce and Wally, the prospective victims, er, heirs include Fred Blythe (John Beal of Double Wedding; My Six Convicts; The Firm); Charlie Wilder (Douglass Montgomery, another 1933 Little Women cast member); and Aunt Susan (Elizabeth Patterson, whose long career included Intruder in the Dust; Lady on a Train; TV’s I Love Lucy as babysitter Mrs. Trumball).  Wally tries to put the others at ease with quips: “I hear old Uncle Cyrus’s ghost is holding bank night.”  What’s more, thanks to Wally’s theatrical background, he can’t help predicting each new spooky suspense cliché, keeping the others’ heads turning suspiciously, prompting Wally to suggest to Joyce, “I’ll recommend a nice quiet bomb-proof cellar to you for the next 30 days.”  Sorry, guys, everybody’s gotta stay overnight whether they want to or not.  As Wally wryly explains, “The members of Local Number 2 of the Bayou Canoe Paddlers and Putt-Putt Pushers Union fold putt after midnight.” Well, that’s OK; Wally and Joyce and company can always while away the time looking for a diamond necklace worth a fortune while trying to avoid being bumped off.

Oops, Joyce grabbed the wrong book.
She was looking for Bazooka Joe’s
bubble gum bio, The Psychology of Fleer!
 

On top of the creepy goings-on at ol’ Blue Bayou, the local authorities announce that there’s a fugitive psychopath on the loose from Fairview, the local asylum. “That’s all we needed,” Wally says. “Well, anyway, he’ll feel right at home.”  The killer is known as “The Cat,” but this “Cat” sure isn’t the suave Cary Grant/To Catch A Thief kind of cat burglar!  Soon Wally and Joyce are up to their ears in danger and romance, with more secret panels than The Game Show Network as Miss Lu stirs the pot with ominous warnings and whatnot!  Can Wally and Joyce live happily ever after, “live” being the operative word?  One thing’s for sure: with Hope and Goddard, it’ll sure be fun finding out! 

Hey, Joyce, give a guy a hand!

Fun Facts: 

If you like The Cat and The Canary, check out other reviews of this fun film by other swell bloggers!

1.) Yvette Banek from her stupendous blog IN SO MANY WORDS from March 2012!

2.) John Greco’s Twenty-Four Frames review from May 2011! 

Also, don't miss an uncredited Charles Lane (Ball of Fire; I Wake Up Screaming, etc.) in the final scene!  I admit it, I'm a sucker for a happy ending, especially a funny one!





Friday, May 18, 2012

HAVING WONDERFUL CRIME: Like, Write On, Rice!

(Apologies in advance for the photos not being quite as sharp as I'd hoped!)

With a novel based on the work of the funniest, zaniest, most surreal mystery writer the comedy-thriller genre had ever known at that time, I would have been more surprised if I hadn’t enjoyed the 1945 film version of Craig Rice’s novel Having Wonderful Crime (HWC)!  What’s more, despite the masculine nom de plume, Craig Rice was a woman; specifically, she became the first female mystery novelist to make the cover of Time Magazine, plus she practically invented the screwball noir!  Back in high school at dear old St. Catharine Academy in the Bronx, I read and very much enjoyed several of Rice’s books, especially the Malone stories I’d found in mystery anthologies in our school library. After graduating from Fordham University, I’d been prowling used bookstores to find Rice’s books. Even now, with eBay making it easier to track down hard-to-find books, I’ve barely scratched the surface, partly from rarity, partly from poverty. All I need is a winning lottery ticket to actually afford all the vintage books I want!

But first, a little background: Rice’s original stories and novels are set in 1940s Chicago with her popular protagonist, Attorney-at-Law John J. Malone. These stories were especially popular, with their lively blend of zaniness and surrealism. If Dashiell Hammett’s The Thin Man showed that marriage and murder-solving was a match made in mystery fiction heaven, then consider the books showcasing Malone and his friends to be screwball noir turned up to 11!  Meet our protagonists:

  • Malone, our lovable girl-chasing hero, renamed Michael J. Malone for the film version of HWC.  (Apparently someone at RKO was fond of the letter M.)  Malone is played in HWC by Pat O’Brien (Knute Rockne All-American; Crack-Up; Angels with Dirty Faces; Some Like it Hot);
  • Malone’s breezy pal, the two-fisted (but only when necessary) press agent Jake Justus, played by George Murphy (Broadway Melody of 1940; This is The Army; Battleground);
  • Helene Brand, Jake’s lovely, wealthy, eccentric sweetheart, who becomes Mrs. Justus in both the novel and movie versions of HWC when the newlyweds break the happy news to Malone early on—not that these lovebirds would ever let a little thing like a honeymoon put the kibosh on their penchant for recreational sleuthing. The new Mr. and Mrs. Justus are compulsive amateur gumshoes, always cooking up new murders to solve! To borrow a line from Cary Grant in To Catch a Thief, these two just love “weird excitement!” Helene is played by the lively, lovely, luminous Carole Landis, dubbed “The Ping Girl” by a press agent who explained, “She makes you purr.” In happier days, Landis lent her bubbly personality, talent, and beauty to such films as Team Bartilucci favorite I Wake Up Screaming; My Gal Sal; Turnabout; Topper Returns; One Million B.C.; Four Jills in a Jeep, in which co-writer Landis and her fellow actresses Kay Francis, Martha Raye, and Mitzi Mayfair reenact their real-life USO tour during World War 2; and The Powers Girl, a film close to Team Bartilucci’s heart because our late mom and aunt were both John Robert Powers models back in the day! (More about Landis and Murphy shortly.)

Sweet, sassy Helene can
get on our case anytime!
If you thought The Thin Man’s Nick and Nora Charles could put away liquor with the greatest of ease, wait’ll you get a snootful of Malone, Jake, and Helene! In Rice’s novels, when our trio wasn’t solving murders, they hung out at Joe the Angel’s City Hall Bar, where they’d good-naturedly rib homicide cop Daniel von Flanagan (he’d added the “von” so he wouldn’t seem like just another just another Irish cop. Sorry, von Flanagan isn’t in the film version of HWC). According to Tom & Enid Schantz of Rue Morgue Press, “such antics eventually earned (Rice) the unheard-of sum (for a mystery writer) of $46,000 a year by 1945.” Is it any wonder Rice’s inimitable brand of daftness made her books smash hits, with her kisser on the cover of Time in the bargain?

That said, Rice's life wasn't necessarily a bed of roses—or maybe it was, if you count all the thorns. So many talented comedy writers and comedy novelists seem to have a “sad clown” thing going on. Alas, Rice wasn’t immune.  She was born Georgiana Craig in 1908 to a wanna-be painter and a wanna-be sculptress, who named the little girl Georgiana. Too bad her folks apparently didn’t wanna-be responsible, loving parents; poor kid! To make a long, sad story a bit shorter, little Georgiana was schlepped from pillar to post. Being unable to conceive a child of their own, Craig’s half-sister Nan and her husband Elton were happy to adopt the child, whose name officially became Georgiana Craig Rice. Still, even with all her success in her adult life as an author, it seems Rice was never quite able to get past the rejection she’d experienced during her childhood. Over time, her life was further complicated by her chronic alcoholism (what is it about renowned authors and substance abuse?!), glaucoma, deafness in one ear, blindness in one eye, and possibly bipolar disorder. With everything Rice had to contend with, I’m surprised she even made it to the age of 49! And yet with all these obstacles in her way, somehow she managed to achieve success as a popular author, blending nutzoid comedy and suspense like nobody's business!


When you smile, the world smiles with you.
When Helene and Jake are the only ones smiling,
it means you’d better get tea bags, because
they’re about to get Malone into hot water!
Rice’s novel output (in every sense of the term) ranged from her 1939 novel 8 Faces at 3, through her 1957 novel My Kingdom for a Hearse, published two weeks after her untimely death at the age of 49 from a fall down the stairs. Several posthumous Craig Rice story collections were completed by other authors and published: The Name is Malone (1958); The People vs. Withers and Malone, a 1963 short story collection completed by author Stuart Palmer, featuring his beloved Hildegarde Withers character; the short story collection Murder, Mystery and Malone (2002); and The Pickled Poodles (1960) by Larry M. Harris,  a continuation of the John J. Malone series.

A number of Craig Rice’s books were adapted for the big screen, and of course, HWC was among them!  The trio of screenwriters include:
  •  Howard J. Green (I Am a Fugitive from a Chain Gang; Morning Glory; Reveille with Beverly);
  •  Parke Levy (My Friend Irma and its sequel, My Friend Irma Goes West; TV’s Many Happy Returns; Pete and Gladys; and December Bride);
  • Stewart Sterling, a.k.a. Prentice Winchell, popular and prolific pulp author of the Gil Vine and Fire Marshal Pedley novels, as well as a producer of crime fiction for radio and magazines. For the record, I am the proud owner of a 1954 book Sterling and Dev Collans co-authored, I Was a House Detective.

Admittedly, HWC takes liberties with Rice’s plot, but the film’s frantic and funny shenanigans nevertheless have that Craig Rice feeling (not to be confused with that Barton Fink feeling), capturing the overall madcap air and good-natured goofiness of Rice’s storytelling style. With its fleet-footed 70-minute running time, its sharp and snappy comedic timing, and its great cast, I enjoyed HWC  all the way!

With composer Leigh Harline’s sparkling score in the background, we first meet Helene onscreen in media res, nervously holding a gun on an ominous thug (who looks and sounds like the guy running Florian's in Murder, My Sweet, but he's not credited) as she talks to an impatient desk sergeant who’s obviously used to Jake and Helene playing amateur detective: “Please hurry, Sergeant, I’m biting my fingernails already, and you know how hard it is to get a manicure these days!” Luckily, the long-suffering Malone manages to save his friends’ bacon in the proverbial nick of time!

Slipping out of their firearms and into a nearby theater once Malone points out he’d withheld important evidence to crack their current case, our heroes have no sooner found three on the aisle than it’s announced that the show won’t go on: it seems someone’s misplaced the star attraction, The Great Movel (George Zucco from My Favorite Blonde; Topper Returns; The Adventures of Sherlock Holmes, as Professor Moriarty; The Mad Ghoul with Lady on a Train’s David Bruce; and Team B’s fave, After the Thin Man, as  Dr. Adolph Kammer)! You’d think that since Jake and Helene are on their honeymoon (heck, they seemed to be truly into each other even without the homicide angle), they’d surely be more interested in, as the song says, the “sweet mystery of life” rather than scampering around solving other people’s murders. (Maybe it’s the lovebirds’ idea of foreplay? Hey, whatever floats their collective boat!)

With Chili Williams around,
everyone has spots before their eyes!
Jake and Helene are spending their honeymoon at charming Lenhart Lodge, with Malone aiming to take a separate room and check out the single girls, including a cutie with a polka-dot wardrobe (model/actress Chili Williams, a nice bit of eye candy). However, a fender-bender involving our merry trio changes everyone’s plans when the hot young couple from The Great Movel’s act, French-accented Gilda Mayfair (Lenore Aubert from the Bob Hope/Dorothy Lamour comedy-thriller They Got Me Covered; Bud Abbott & Lou Costello Meet Frankenstein; and Bud Abbott & Lou Costello Meet the Killer, Boris Karloff), and her hunky hottie, Lance (Richard Martin, seen in The Bamboo Blonde and such Westerns as West of the Pecos with Robert Mitchum) find themselves in a trunk full of trouble, literally. Soon the exasperated Malone and our kooky newlyweds find themselves embroiled in a murder mystery involving the fussy hotel manager (Charles D. Brown from The Killers; The Grapes of Wrath; and Team B’s favorite among Brown’s roles, Norris the butler in The Big Sleep), the Lenhart sisters, one of whom signs checks in vanishing ink (silent film actress Blanche Ring); sleepwalking after practically each member of the cast unwittingly doses Gilda with a sedative (The Great Movel sees a lawsuit in the Lenhart Lodge’s future!); falling ladders; hairbreadth escapes; a lovely swimming champ (Anje Behrens, better known as Gloria Holden of Dracula’s Daughter; The Life of Emile Zola; The Corsican Brothers) and speedy, snappy patter that makes His Girl Friday sound tongue-tied!

Poor tearful Helene! It’s no laughing
matter when you're cornered by a killer.
Yikes! Has The Great Movel
played his final matinee?
Not to be a downer, but it’s such a shame that Craig Rice and Carole Landis both ended up being “sad clowns” who died too young. Landis had so much charm, beauty, and screen presence, yet somehow her career began to flounder in the mid-1940s. Only 29 years old, Landis had already been married and divorced twice, and her third marriage was already going down for the last time.  She had an adulterous romance with Rex Harrison, who was apparently was also about to end their relationship. What happened? Did poor Landis have emotional problems in addition to the health issues with malaria and pneumonia she’d been battling since her days of entertaining the troops during World War 2?  Whatever contributed to Landis’ downward spiral, it all tragically ended for her in July of 1948, when she left a suicide note and took a lethal overdose of Seconal; Rex Harrison reportedly found her body. Landis’ pallbearers included HWC co-star Pat O’Brien, actor Cesar Romero, director Eddie Sutherland, actor Willard Parker (A Slight Case of Murder; Kiss Me Kate); and Carole’s close friend and personal make-up man William Nye. Aw, man! It’s times like that that I wish I had a time machine and could help folks like Landis to get their lives turned around live in joy and triumph. Incidentally, author Jacqueline Susann based tragic character Jennifer North partly on Landis in her best-seller Valley of the Dolls.

As for Rice, The April Robin Murders was her final novel after her fatal fall. In fact, the novel was only two-thirds finished at the time of Rice’s death, so the rest was completed by the great Ed McBain, a.k.a. Evan Hunter, author of the 87th Precinct novel series and screenwriter of Alfred Hitchcock’s movie adaptation of Daphne du Maurier's The Birds, among other triumphs. I remember reading and enjoying The April Robin Murders years ago and finding it quite entertaining, with a nice balance of comedy and sentiment. Several posthumous Craig Rice story collections were completed by other authors and published: The Name is Malone (1958); The People vs. Withers and Malone, a 1963 short story collection completed by author Stuart Palmer, featuring his beloved Hildegarde Withers character; the short story collection Murder, Mystery and Malone (2002); and The Pickled Poodles (1960) by Larry M. Harris, a continuation of the John J. Malone series.

Sim Sala Bim! Now you see
The Great Movel, now you don't!
HWC co-stars Pat O’Brien and George Murphy had much happier endings to their life stories. O’Brien had a long career and lived to the ripe old age of 84. George Murphy served as president of the Screen Actors Guild in the 1940s, and retired from acting in 1952. He was eventually elected Senator of California in 1964 and served for six years.

With so many Rice books and films I haven’t caught up with yet, I think it’s time for a Craig Rice renaissance, in both books and films! Who’s with me?

We crown Helene the Queen of Screwball Noir!

I don't know about you guys, but
I'm a sucker for a romantic ending!