We’ve
said this here at TotED before, but we’ll gladly say it again:
For our money, there seemed to be no genre that Hawks couldn’t tackle with the
greatest of ease, and there’s never been a more perfect romantic team than
Humphrey Bogart and Lauren Bacall, the latter becoming Mrs. Bogart in 1945, and
staying happy together until Bogart’s death in 1957. (Damn
cancer!) Admittedly, the kind of perfection I’m talking about has
nothing to do with such trifles as linear, crystal-clear plotting.
(Clarity? We don’t need no stinkin’ clarity!) The elements that made
Hawks’ best films so entertaining and unforgettable included charismatic actors
in memorable roles, whether they were big stars or character
actors; zesty direction; rapid-fire delivery, which inspired the late Robert
Altman’s directorial style; and those sleek, smart, bewitching Hawks women,
almost all of whom try to seduce the hero to one degree or another. I
know I’ve said this elsewhere, too, and I still mean it: I want to be a
Howard Hawks kind of woman when I grow up!
Screenwriter Jules Furthman (from the 1935 version of Mutiny on the Bounty; Nightmare Alley; Rio Bravo) and novelist/screenwriter William Faulkner (The Big Sleep; The Long Hot Summer; Intruder in the Dust) were no slouches in the excitement department when it came to crafting entertaining movies! Our story starts in: “Martinique in the summer of 1940, shortly after the fall of France.” Meet Harry Morgan (not to be confused with the co-star of the TV version of M*A*S*H), a rugged fisherman for hire (the ever-awesome Humphrey Bogart of The Big Sleep; Across the Pacific; All Through the Night). World War 2 is on, and Martinique is Vichy-controlled, so it’s not exactly the most carefree place in the world. War is Hell indeed! Harry and his first mate, Horatio (Sir Lancelot), charter fishing boats for tourists. Harry’s current client, Mr. Johnson (Walter Sande of Don Winslow of the Navy; The Blue Dahlia; Detective Mathews in the Boston Blackie movies), is a handful.
Johnson is an inept fisherman who blames others for his careless and expensive mistakes, as well as being a cheapskate and a whiner. Right now, he’s complaining about Harry’s longtime friend Eddie (three-time Oscar-winner Walter Brennan from Come and Get It; Kentucky; The Westerner; and the hit 1957 TV series The Real McCoys). Apparently Eddie’s cheerful blathering is getting on Johnson’s nerves—aw, poor baby, our hearts bleed for you! Hey, if Harry and Horatio can shrug off Johnson’s whiny personality—not to mention losing the rod and reel due to his ineptitude—he should be able to put up with Eddie’s gabbiness and occasional mistakes (which our hero matter-of-factly sets right). Eddie can’t help it, though, with his alcoholism:
Screenwriter Jules Furthman (from the 1935 version of Mutiny on the Bounty; Nightmare Alley; Rio Bravo) and novelist/screenwriter William Faulkner (The Big Sleep; The Long Hot Summer; Intruder in the Dust) were no slouches in the excitement department when it came to crafting entertaining movies! Our story starts in: “Martinique in the summer of 1940, shortly after the fall of France.” Meet Harry Morgan (not to be confused with the co-star of the TV version of M*A*S*H), a rugged fisherman for hire (the ever-awesome Humphrey Bogart of The Big Sleep; Across the Pacific; All Through the Night). World War 2 is on, and Martinique is Vichy-controlled, so it’s not exactly the most carefree place in the world. War is Hell indeed! Harry and his first mate, Horatio (Sir Lancelot), charter fishing boats for tourists. Harry’s current client, Mr. Johnson (Walter Sande of Don Winslow of the Navy; The Blue Dahlia; Detective Mathews in the Boston Blackie movies), is a handful.
Johnson is an inept fisherman who blames others for his careless and expensive mistakes, as well as being a cheapskate and a whiner. Right now, he’s complaining about Harry’s longtime friend Eddie (three-time Oscar-winner Walter Brennan from Come and Get It; Kentucky; The Westerner; and the hit 1957 TV series The Real McCoys). Apparently Eddie’s cheerful blathering is getting on Johnson’s nerves—aw, poor baby, our hearts bleed for you! Hey, if Harry and Horatio can shrug off Johnson’s whiny personality—not to mention losing the rod and reel due to his ineptitude—he should be able to put up with Eddie’s gabbiness and occasional mistakes (which our hero matter-of-factly sets right). Eddie can’t help it, though, with his alcoholism:
Johnson: “I don't see
why you want that rummy around.”
Harry: “Eddie
was a good man on a boat before he got to be a rummy.”
Johnson: “Well, he's no
good now... What do you look after him for?"
Harry: “He
thinks he’s lookin’ after me.”
So since then, Harry has
taken Eddie under his wing, looking after Eddie as if he was an addled but
endearing old dad. Harry’s kindness to Eddie endeared me to him right
away. Note that even with Eddie’s issues, he’s still more capable on the
boat than bumbling "Blame Game" Johnson, who comes mighty close to
getting tossed overboard when Johnson tries to get tough with Eddie (“Are you a
good swimmer, Mr. Johnson?”)! TH&HN has terrific atmosphere, thanks to
Charles Novi’s Art Direction, Casey Roberts’ Set Decoration, and Sid Hickcox’
cinematography.
I like the AMC Website’s response
to Eddie's recurring Dada-esque question: “Was you ever bit by a dead bee...a honey bee?” It’s a perfect Rorschach-style personality character test for every character that crosses Eddie’s path. Harry, of course, understands Eddie, so they’ve long since passed the “Dead Bee” test with flying colors. If Eddie’s question triggers confusion, impatience, and/or anger from others, we know these people are, if not full-tilt villains, then at the very least, they’re not Harry’s kind of people (or ours)!
Although Marie seems cool, calm, and insolent, she’s actually living by her wits, starting with cozying up to the unsuspecting Johnson in the café and picking the big boob’s pocket. Granted, Johnson is getting a little too hands-on with Marie, but Harry isn’t letting her get away with it: “You ought to pick on someone to steal from who doesn’t owe me money.” Lucky for Harry, our gal Marie gains Harry’s trust when Johnson gets tripped up by his own lies about being penniless until the next day, when in fact Johnson was all set to hop a plane at dawn! But no sooner does Johnson begin to sheepishly sign his Traveler's Cheques than gunfire rings out in the café, leaving the joint in a mess and Johnson dead in the crossfire. As Harry says, “He couldn’t write any faster than he could duck. Another minute and his cheques would have been good.” Thanks to that vile Vichy gunfire, both Harry and Marie are in the soup, and we don’t just mean vichyssoise! Now the slimy Vichy Captain Reynard (Dan Seymour from Key Largo; Johnny Belinda; The Way We Were) and Lt. Coyo (Sheldon Leonard, who went from supporting roles like Another Thin Man in the movies to becoming a wildly successful TV producer) have Harry and Marie over a barrel.
Actual dialogue from the film:
“He couldn’t write any faster than he could duck.
Another minute and his cheque would have been good.”
Harry can tell that Marie’s life hasn’t been a bed of roses, unless
you count the thorns; during Reynard’s grilling, Marie takes a slap in the face
without batting an eye. She admits she’s trying to get home to the States: “I’d walk,
if it wasn’t for all that water.” In the great Hawks tradition, Harry and Marie get
closer, including cool pet names: “Steve” for Harry, and “Slim” for Marie—which were actually
Mrs. and Mrs. Howard Hawks’ pet names for each other in real life! The mating dance between “Steve” and “Slim”
is tantalizing, yet still yields Harry’s better instincts as he agrees to help
Marie get back home in exchange for smuggling Frenchy’s refugee
friends.
Well, they say that adversity brings people together in hard times, so our
heroes have no choice but to help Frenchy and his Resistance allies, and help
Marie in the bargain.
Actual dialogue from the film:
“He couldn’t write any faster than he could duck.
Another minute and his cheque would have been good.”
Cricket and Slim make beautiful music together at the café! |
Two’s company and a gaggle of Resistance Fighters is a crowd when "Slim" and "Steve" are interrupted's by Frenchy and his Resistance pals! |
Will
the lovely and well-meaning but maddeningly
overprotective Hellene deBursac turn out to
be Hell on wheels?
“Harry, you was ‘fraid I’d get hurt. You was thinkin’ of
me!”
"That’s right, Eddie, this is all about you. Now
let me steer before we crash into a luxury liner or Nazis, will ya?!" |
Mme.
de Bursac goofs and ends up knocking herself out with Harry’s chloroform.
Thank goodness, we thought that dame would never shut up!
Bacall wasn’t the only one making a film debut in TH&HN; so was Oscar-winning singer/songwriter Hoagy Carmichael (for Here Comes the Groom; Starlight; Gentlemen Prefer Blondes), playing piano man Cricket at the café. In fact, the catchy background music at the café makes me wonder if anyone considered making this a Broadway musical. I’d see it if I had the dough!
Whether Bogart and Bacall are being playful
or serious onscreen (or offscreen, for that matter), the sparks between them
are hotter than July 4th fireworks—and nobody even had to get
naked, at least onscreen!
Say Dorian . . . you ever been bit by a dead bee?
ReplyDeleteOne of my absolute favorites if only for the obvious on-screen chemistry going on between Bogart and Bacall. The ending, where everyone happily bounces off the set (well, Bogart doesn't quite bounce, but you know what I mean) is especially one of my favorite conclusions to a film. Also some great music courtesy of Ian Fleming's inspiration for James Bond's appearance: Carmichael . . . Hoagy Carmichael. Bogart sure had an enviable talent for attracting musicians whenever he did cafes or saloons or nightclubs.
Oddly enough, considering the storyline, the action scenes are really sub-par in comparison to the character development going on. And not just Bogart and Bacall. Besides Walter Brennan and Hoagy Carmichael, this film features a nicely oily performance by Sheldon Leonard. And Sidney Hickox's cinematography manages to do wonders with the few sets the film had to work with (as well as the "ocean" scenes).
Sorry to comment and run, but I've beaten ol' Buddha's gong and the Hong Kong police are after me.
Michael, I knew you just had to be a fan of TO HAVE AND HAVE NOT as well! I totally agree that the amazing chemistry between Bogart and Bacall is what makes TO HAVE AND HAVE NOT so irresistible. It always has me smiling every time I watch it, and it certainly seems to me that between the great cast and crew, the music, the film's breezy attitudes, everyone working on the picture sure does seem to be having a great time. Interestingly, when I watched TH&HN on TCM's "The Essentials a while back, co-host Drew Barrymore seemed to be surprised, perhaps even slightly baffled, with the playful ending where Bacall starts a little shimmy which leads to her, Bogie, and Walter Brennan leaving as jaunty traveling music swells. Drew seemed to be somewhat taken aback, though she admitted she enjoyed it. Drew may not get it, but I do: It's called a happy ending! Sometimes the simplest endings are the best ones! :-D Thanks for being the first to comment on TH&HN!
DeleteHey, gang, long story short, things got farshimmelt and I ended up with "twins" on my TO HAVE AND HAVE NOT blog post! Sorry about that! Here's a comment from our pal and fellow blogger Caftan Woman; I hope you'll enjoy her comments as much as I did; beaucoup thanks, C.W.! Here it is:
ReplyDelete"To Have and Have Not" is not a movie I have ever been able to cozy up to, but your zesty, affectionate look at the picture has made me think that perhaps I should give it another go. Maybe I didn't have the right stuff in my glass the last time I came up against Steve and Slim.
"Cheyenne" recycled a lot of Warner's flicks into TV episodes. Their take on "To Have and Have Not" was called "Fury at Rio Hondo". Dig the synopsis from the IMDb: "In a politically unrest Mexico full of revolutionaries, Cheyenne encounters a sexy, blond pickpocket singer who's involved with a con man who owes Cheyenne money from the past." Part of the fun of watching "Cheyenne" besides looking at Clint Walker is wondering where you've seen that plot before.
You're well on your way to making a THaHN convert.
The is a wonderful adventure film, where sparks fly between Bogart and Lauren Bacall, who was amazingly cool and smooth at the age of 19... Lauren Bacall, has become one of my favorite classic movie stars of the 1940's. Love the little dance that Lauren does at the end...
ReplyDeleteDawn, I'm delighted to hear that you enjoy TO HAVE AND HAVE NOT as much as all of us here at Team Bartilucci HQ! Lauren Bacall's little shimmy at the end always makes me smile. You're right, she did look cool, smooth and poised -- but ironically, for all of Bacall's poise, even she was a little nervous at first! Bogie put her at ease, love bloomed, and the rest of history! :-) Glad you dropped by to join the TH&HN fun!
DeleteI laughed when you asked, "Clarity? We don't need no stinkin' clarity!" And it's true. Who needs a story with that intense Bogie-Bacall chemistry!
ReplyDeleteSooo many great lines in this movie, and your review has done it justice. I've said it before - you have some of the best photo captions in the blogosphere!
Ruth, you're so right about Bogart and Bacall's intense chemistry; their chemistry just can't be beat! And thank you most kindly for your praise of my captions; you're a sugar bowl with two handles, my friend! :-D
DeleteWhat could be better than Jules Furthman, Hoagy Carmichael and the undying chemistry of Bogie and Bacall- though I haven't seen TH&HN in years, as always your witting recounting of these glorious classics just make me want to take out the dvd and watch it right now, even if it is only 8am-
ReplyDeleteAnd I haven't even been bit by a dead bee, honey or otherwise! Wonderful overview Dor- you're a bowl of lime jello with whipped cream on the top-Cheers your Pal Joey
Joey, you're a sweetie and a gal of great taste in all things, considering you not only love the delightful TO HAVE & HAVE NOT, but also lime Jello with whipped cream! :-) (Now I'm thinking about making Jello -- but I digress :-))! I hope you'll get a chance to sit down and catch up with TH&HN again soon -- just as there's always room for Jello, there's also room for TH&HN at any time of the day! :-) We're always happy to have you join the Bogie & Bacall chat at TotED anytime, Jo!
Delete