It all
started with the famous Algonquin Round Table, where New York City’s elite would
meet to eat, drink, and crack each other up with sly, witty
bon mots. The
most outrageous gadabout of them all was Alexander Woollcott, a larger-than-life
character even by the Algonquin Round Table’s standards. Woollcott was one of
the most eminent critics and radio personalities of the 1920s and ’30s—and also
one of the most maddening men you’d ever meet! As author Jared Stone describes
him in his 2006 book
Moss Hart: A Prince of the Theatre, “While many
prominent people called Woollcott a friend, he was also known for his acid
tongue and demanding, impossible-to-please attitude. He could be charming and
generous one minute; petulant and venomous the next.”
As Andrea
Passafiume explains on the
TCM Web site,
Woollcott’s many notable friends included the very successful playwriting team
of George S. Kaufman and Moss Hart: “One evening while Woollcott was visiting
Moss Hart, he made an unusual request. He wanted Hart and Kaufman to write a new
play for him to star in. Woollcott had dabbled in acting before, and thought
that being in a play would be a new way in which to reach his massive audience.
Somewhat dubious, but not wanting to disappoint his friend, Hart agreed to give
the matter some thought.” Then Hart remembered an overnight visit with
Woollcott in his country home. Woollcott had badgered Hart and his household
with all manner of unreasonable non-stop demands. He unfairly accused Hart’s
servants of stealing; he whined for cookies and milkshakes at odd hours; he
demanded the heat be turned off; he insisted that Hart trade beds with him — it
was always something! As Hart described the maddening no-sleep-over to Kaufman, he had a brainwave: “Wouldn't it have been awful if (Woollcott) had broken a
leg and been on my hands for the rest of the summer?”
Ta-da! A classic
comedy was born! Talk about turning lemons into lemonade!
 |
| Sophisticates on a Train! |
George S.
Kaufman and Moss Hart’s comedy
The Man Who Came to Dinner (TMWCtD)
debuted at New York City’s
Music Box Theatre
on October 16
th, 1939. It made Monty Woolley a Broadway star, and in
January 1942, he became a movie star, too, when the Warner Bros. film version hit
theaters. The film version pretty much became an instant classic. Even today,
TMWCtD is a gift that’s kept on giving to delighted audiences over the
decades, with awards and revivals in New York and London. There was even a 1950
Radio broadcast starring Clifton Webb as Sheridan Whiteside, and Lucille Ball as
Maggie Cutler. Knowing that Webb and Ball were equally talented in both comedy
and drama, I for one can cheerfully imagine going back in time to hear Webb and
Ball do comedy together after their awesome dramatic performances in
The Dark Corner! I wonder how
TMWCtD‘s
Sherry (as friends call him) and
Laura’s
Waldo Lydecker would have gotten along, murder not withstanding?
 |
Oh, my! Will the gifts be returned?
|
Born in
August 1888, Monty Woolley came from an elite family, owners of the renowned
Marie Antoinette Hotel on Broadway. Despite his youth, Woolley cut quite a
swath through Manhattan society, along with Master’s degrees at Yale and
Harvard. He returned to Yale as an English instructor and drama coach, counting
Thornton Wilder and Stephen Vincent Benet among his students, intimates, and confidants.
Woolley’s friend Cole Porter (we should all have such friends!) encouraged him
to become a stage director himself, resulting in such Broadway hits as
Fifty
Million Frenchmen (1929),
The New Yorkers, and
Jubilee (1935).
Woolley took his first
Broadway bow
in the hit musical
On Your Toes (a revival is set for 2013) and soon it was Hollywood’s turn to sit
up and take notice as Woolley ascended the ranks of supporting actors at MGM,
Warner Bros., and Paramount.
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| Maggie loves Bert because he's a good skate! |
Woolley came into his own in the 1940s, with hits like the Christmas classic
The Bishop’s Wife; When Irish Eyes are Smiling; the rather fanciful Cole
Porter biopic
Night and Day; and best of all, two Oscar nominations: a
Best Actor Oscar nomination for his role in the WW II drama
The Pied Piper
(1942), and a Best Supporting Actor nomination for another war classic,
Since You Went Away
(1944). But for the life of me, I can’t imagine why Woolley wasn’t nominated
for an Oscar for his iconic performance for
TMWCtD! Just
one of cinema’s little mysteries, I guess!
Only two
actors besides Monty Woolley reprised their original Broadway roles for the
movie:
- Mary Wickes
(Now, Voyager; June Bride; It Happened to Jane; and many TV series,
including several with frequent co-star Lucille Ball), making her Broadway
debut, and then her movie debut, as Miss Preen, the ever-startled and put-upon
nurse.
-
Ruth Vivian,
who plays the sweet, soft-spoken, but apparently batty Harriet Stanley (Confidential Agent; A Letter to Three Wives).
Then television came along, bringing a (reportedly so-so) 1972 TV movie starring
Orson Welles, Lee Remick, and even Mary Wickes reprising her debut role. In 2000, there was a delightful Broadway revival at The
Roundabout Theatre, starring Team Bartilucci favorite Nathan Lane, also
broadcast on PBS (which we watched and loved). There had even been a musical version in 1967,
Sherry!, by none other than James Lipton! Alas, it was short-lived, but the soundtrack is still available on Amazon.com as of this writing, with a powerhouse cast including Lane, Bernadette Peters, Tommy Tune, and Carol Burnett!
But of
course, movies are the medium we’re most mad about here at
TotED,
so we’re focusing on the 1942 Warner Bros. version of
TMWCtD, one
of our favorite holiday comedies! Naturally, Warner Bros. snapped up the movie
rights, and the result has something for everyone: comedy chock-full of witty
dialogue by brothers Julius J. Epstein and Philip G. Epstein (the writers who brought us such hits as
Casablanca and the film version of
Arsenic and Old Lace), adapted from
Kaufman and Hart’s play, of course, not to mention romance and rivalry; gorgeous gals; screwball comedy;
even penguins and octopi! How’s that for getting your movie-going money’s worth
(so to speak, considering most of us here are most likely watching in on DVD/Blu-Ray
and such)?
Granted, at that time, Monty Woolley wasn’t as familiar to moviegoers as he was
to Broadway audiences, so Warner Bros. surrounded Woolley with a galaxy of
stars, including:
- Bette Davis,
incomparable superstar and two-time Oscar-winner, as Sherry’s secretary Maggie
Cutler. In fact, Davis had gone to New York to see the play herself, and she
loved it. She thought this comedy would be a nice change of pace from her usual
heavy dramatic roles, and having Davis’ star power on the marquee sure couldn’t
hurt!
- Billie Burke
as the dithering Mrs. Stanley, known and loved from the Topper films, the
Father of the Bride films, and most iconic of all, her performance as
The Wizard of Oz’s Glinda the Good Witch!
- Grant
Mitchell
as the ever-irked Ernest Stanley, known for Mr. Smith Goes to Washington;
Arsenic and Old Lace; The Grapes of Wrath;
- Reginald
Gardiner as Noel
Coward manqué Beverly Carlton, also known for Laurel and Hardy’s The Flying
Deuces, as well as The Great Dictator and Christmas in
Connecticut;
- Ann Sheridan,
the “Oomph Girl” herself, as the popular, man-hungry movie/stage star Lorraine
Sheldon, who was known for They Drive By Night; Nora Prentiss; George Washington
Slept Here. At the same time she made TMWCtD, the busy Sheridan was also shooting
Kings Row (1942).
-
Jimmy Durante
as
Banjo, the husky-voiced zany with the impressive proboscis and rapid-fire
wacky wit, inspired in real life by Harpo Marx. Durante could do it all, in every
medium, as an actor (You’re in the Army Now; It’s a Mad, Mad, Mad, Mad World;
On an Island with You), comedian, composer, singer, and songwriter. Who can
forget Durante’s hit songs "Inka Dinka Doo," Umbriago,” and “Make Someone
Happy,” especially at holiday time? Heck, while I was writing this post, I heard
Durante’s cheerfully gruff voice singing “Make Someone Happy” for a commercial
for Hotels.com!
 |
Sheridan Whiteside calls in the
Cavalry in his ongoing war
against happiness in those other than himself! |
The film
opens on Sherry and his longtime secretary Maggie Cutler, arriving from New York
City to do a favor for Sherry’s old friend Harry Clarke, who’s running a lecture
tour. Despite the friendship, Sherry’s raising the roof even before the train
to Mesalia, Ohio has pulled into the station:
Sherry:
“I simply will not sit down at dinner with Midwestern barbarians. I think too
highly of my digestive system.”
Maggie:
“Harry Clarke is one of your oldest friends.”
Sherry: “My stomach is an older one.”
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| Merry Christmas to Sherry from Madagascar! |
The worldly,
arrogant, tart-tongued Sheridan Whiteside — “Sherry” to his sophisticated
friends — couldn’t be more different from the genteel — if impatient — bourgeois
ball-bearing magnate Ernest Stanley and his wife, Daisy. It’s clear that Sherry is a
termagant under even the best of circumstances. Then Sherry slips and racks
himself on the Stanleys’ snowy, poorly-shoveled steps, and the Stanleys’
well-organized life turns upside-down, with wickedly funny results! The
shenanigans bring to mind a quote from a lecture by Stephen King during my
college days at Fordham University: “When bad things happen to others, it’s
funny. When it happens to
you, it’s horror!” Luckily for us viewers,
the funny parts override everything else in this hilarious nightmare!
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| Sexy stage siren Lorraine Sheldon can always get a cab! |
At least
Sherry is a witty, entertaining, fun-to-watch tyrant, as long as you don’t cross
him somehow. He’s a great host — albeit at the bedeviled Stanleys’ expense — as
he invites everyone and everything to his hosts’ home, from convicts to overseas
visitors from many lands and languages, even different species, including
octopi and penguins. Those poor Stanleys — their phone bills alone must be
through the roof with the likes of Eleanor Roosevelt and Sherry’s other famous
friends gabbing away! Slipping on ice and landing painfully on his rump
certainly may not always lift Sherry’s spirits, but it sure leaves us howling
with laughter as pandemonium reigns in the Stanley home, with scads of famous
friends calling and visiting while Sherry amuses himself with gossip and guile.
 |
| We give Lorraine's blouse buttons 3 thumbs up! |
Call it
Stockholm Syndrome, or call it just plain warming up to each other, but as
Sherry’s convalescence progresses, he finds himself taking a liking to some
members of the household, including the couple working for the Stanleys, John
(Edward Starkey) and Sarah (Betty Roadman), which just goes to show that if you
feed people well, they’ll be your friends for life! Sherry also takes a shine
to the Stanley family’s young adult kids, June (Elisabeth Fraser) and Richard
(Russell Arms). Mr. Stanley keeps the young folks on short leashes, and when
they confide in Sherry about Richard’s aspirations to be a professional
photographer and June’s love for a labor union agitator who Mr. Stanley
disapproves of, Sherry does his bit to help them while at the same time ensuring
apoplexy from the easily-shocked Ernest and Daisy. That’s what I call a win-win
situation!
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| Sheesh, Lorraine! Beverly C helps Maggie phone it in! |
Meanwhile,
sophisticated Maggie finds herself drawn to the editor of the
Mesalia
Journal, Bert Jefferson (Richard Travis from
The Big Shot; Mission to
Moscow; and many TV Westerns — appropriate, since his real name was William
Justice!). Bert proves to be an easygoing, affable fella; indeed, he must be the most
laid-back newspaperman in or out of movies! Bert doesn’t even get rattled when
Sherry tricks him out of a dollar to pay the cab driver — which Bert firmly but
good-naturedly gets back from Bert. Good for you, Bert! No wonder Maggie’s
falling for this sweet, handsome, refreshingly uncomplicated man. Bette Davis turns out to be
a swell comedienne with her droll delivery, while subtly letting her both her
hair and her guard down to let Bert win her heart.Will there be
a Christmas wedding with everyone living happily ever after? Not so fast! When
Sherry realizes love is blossoming between Maggie and Bert, Sherry doesn’t like
it a bit! Beneath Sherry’s acid tongue, he’s genuinely fond of Maggie, but he’s
even
more fond of having everything his own way, with no disruptions of
his precious routine! So the rascally Sherry launches his secret weapon: glamorous actress Lorraine Sheldon, who’s been looking for a new play to star in, and is
always open for mixing business with pleasure. Without spoiling the screwball
surprises, I can only say that love just might conquer all with a little help
from your zaniest, most talented friends! That said, I must say Maggie needs more
faith in Bert. Newspaperman or not, I don’t think it’s occurred to Bert that
Lorraine’s hot for him. Maybe he’s
too uncomplicated?
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The secret of "Oomph Girl" Lorraine's fab figure:
she sleeps in a mold! |
 |
| Banjo meets Miss Preen. Hello, Nurse! |
Considering
how many stars vied for roles in
TMWCtD, there could have been
several versions filmed to keep everyone in Hollywood busy! According to the
TCM Web site, the following actors all wanted to
be considered for roles:
Laird Cregar
(Ooh, would that
have been awesome, or what?!)
Orson Welles
Charles Laughton
Fredric March
Robert
Benchley
Cary Grant
Rosalind
Russell
Myrna Loy
Jean Arthur
Olivia de
Havilland
At one time, Howard Hawks was interested in directing
The Man Who Came to
Dinner.
Bette Davis desperately wanted John Barrymore to play Sheridan Whiteside, but
Barrymores drinking problem prevented him from being able to handle the film's
snappy, complicated dialogue.
A dog bite to the nose temporarily kept Bette Davis from being able to film scenes.
The character of Lorraine was reportedly based on actress Gertrude Lawrence.
In the film Jimmy Durante's character Banjo refers to Ann Sheridan's character
Lorraine as "The Oomph Girl,” which was Sheridan's real-life nickname. In the
original play, Banjo calls Lorraine "Old Hot-Pants.”
Mary Astor was tested for the role of Lorraine.
(She'd have been a great choice, too!)
Danny Kaye tested for the role of Banjo.
(0h, I can just
imagine the awesomeness!)
Harpo Marx
played the role of Banjo himself in a 1941 stage production at the Bucks County
Playhouse in Pennsylvania.
The character of Beverly Carlton was based on Noel Coward.
Rosalind Russell, Myrna Loy, Jean Arthur and Olivia de Havilland were considered
to play the role of Maggie.
The play The Man Who Came to Dinner was considered to be the last great
collaboration between the team of George S. Kaufman and Moss Hart.
According to the IMDb, co-star Richard Travis came back to the town of
Paragould, Arkansas to host the World Premiere of The Man Who Came to Dinner
at the Capitol Theatre. Travis had previously lived and worked there as the
editor of the theater's coming-attractions magazine! What’s more, Travis’ real
name was William Justice, which no doubt explains why he went on to many Western
roles.
All of us here at Team Bartilucci HQ wish you and yours a truly joyful and safe:
Merry Christmas!
Happy Hanukkah!
Happy Kwanzaa!
And/or anything else
you and yours wish to celebrate!
