This blog is
sponsored by
The O Canada
Blogathon, running
through
Saturday, October Fourth, through October
Ninth, 2014,
hosted by
Ruth from Silver Screenings
and
Kristina from
Speakeasy,
hosted by Kristina Dijan and R.A. Kerr!
Dori's pick - Two O’Clock Courage
(1945):
I’m Just Wild About “Harry!”
Anthony Mann
is one of film’s most compelling and versatile directors/ producers, covering
genres ranging from Westerns,
like
The Tall Target
(1951),
starring
Dick Powell;
and
Robert Cummings in
The Black Book,
a.k.a
Reign of Terror
(1949)
a
film noir thriller set during
the
French Revolution, among others. The
multifaceted Mann could do it all,
including helming rough and ready urban
noirs such as
T-Men
(1947),
Side Street
(1950), and
Raw Deal
(1948), as well as costume epics like the aforementioned
The Black Book.
Mann especially excelled with his
noir-style
collaborations with
James Stewart,
including
Winchester '73
(
1950),
Stewart’s
neo-noir
Westerns, including
The Far Country
(1955
),
Bend of the River
(1952),
including
The Naked Spur
(1953);
Bend of the River (1952);
The Far Country
(1955);
and
The
Man From Laramie
(1955).
Two
O’Clock
Courage
turned out to be
Anthony Mann’s first directorial assignment, a good solid
“B”
picture” for
RKO Radio
Pictures!
(Say it with me
a la
The
Rocky Horror Picture Show:
A: “An
RKO Radio Picture. What the heck is a Radio Picture?”).
Since then, the film has had a strong following and acclaim, with many of Mann’s
signature tropes on display.
Two O’Clock
Courage
was produced at
RKO Radio Pictures!
Mann’s film may have had a relatively short running-time of a fleet-footed 70
minutes, but director Mann shines in his directorial debut. The film weaves
suspense and playfully cheeky humor, while blending
film noir suspense
with wry wit.
Fun Fact:
The script by Robert E. Kent is full of surprises, including co-writer Robert E.
Kent’s original treatment, based on the
work of humorist and children’s-book author Gelett Burgess, who I loved as a
kid!
Who
knew Burgess had
film noir in his soul as well? Now
there’s a gent
with range!
 |
You can't get blood from a stone, but you can from
Tom Conway's head! (Big owie!) |
The cast blends memorable stars and entertaining character actors, including
Richard Lane
(Wonder Man;
the
Boston
Blackie
movie
series with Lane as
Inspector Farraday. Watch
for another up-and coming young star, billed as “Bettejane Greer”; she soon rose
to stardom as
noir temptress
Jane Greer,
who
became a film star in
Out of the Past
and
The
Big Steal,
as
well as
the James Cagney biopic
Man Of A Thousand Faces
(1957)!
Our star is
Tom Conway
from
The Falcon
film series,
as well as
Cat People; I Walked With A Zombie (1943;)
The Seventh Victim
(
1943)
from
Val Lewton)!
Fun Fact:
Conway
was also
married to Queenie Leonard from
And Then There Were
None (1945);
The Narrow Margin; 1001 Dalmatians
(the original Disney animated
film!
 |
| Beaned, slugged, crowned; it all means the same - Amnesia! |
The
ever-suave
Tom
Conway
stars as
a mystery man — a man
so mysterious, even
he doesn’t know who he
is! Where’s
The Falcon
when you need him?! But that opening scene is swell, starting with a tracking
shot of Conway as he staggers up to a street sign, blood trickling slowly from
under his hat, is a stylish grabber of an opening that keeps you hooked! This
poor dazed guy is lucky our heroine, Patty Mitchell, taxi cab driver by day,
would-be stage actress by night, was paying attention when our man-in-distress
almost got run over! But when it becomes clear that our guy is in a bad way,
kind-hearted Patty helps him to find out who he is as we drive into the night in
Patty’s cab,
“Harry”!
(Yes, that’s what Patty calls her taxicab,“Harry!)
 |
| Ann Rutherford - they don't make cabbies like her no more! |
Is our man in
trouble, or a troublemaker? Can our charming, spunky heroine Patty Mitchell (Ann
Rutherford),a cabbie and would-be actress, lend him a hand?
Fate steps in
just in time to for Patty to save our dazed stranger and would-be stage star,
and they’re off to see who our man is, and who wanted him clobbered. The only
clue is a script titled
"Two’Clock Courage" (Yay, we have title!),
and
the hot stage star Barbara Borden (Jean
Brooks
from Val Lewton's The
Seventh Victim,
as well as
several
Falcon films;
Brooks looks
lovely as a blonde, too).
In
Robert to Osborne’s
intro to
Two’O Clock Courage,
he
playfully describes co-star Ann Rutherford as:
“the prettiest cab driver you’ve ever seen!”
 |
Even when she was starlet
"Bettejane Greer", Jane Greer
was smokin'! |
Ms.
Rutherford
had long been
an endearing young MGM ingénue as Mickey Rooney’s sweetie, Polly Benedict at
MGM, as well as
Red Skelton’s
fiancée in the
comedy-thriller
Whistling in the Dark
and its
comedy-mystery sequels,
not to
mention
a modest little flick called
Gone With The Wind,
where our gal
Ann
played her sister Carreen at Selznick Studios, plus her MGM days as Andy
Hardy’s sweetie, Polly Benedict in the “Andy Hardy” movies.
And don’t forget Ann as the dreary yet hilarious fiancée of
Danny Kaye
in
The Secret Life of Walter Mitty from
Samuel
Goldwyn!
Fun Fact:
Ann Rutherford had thought she she’d been a U.S. citizen all her life, until her
plans to visit Europe in the 1950s showed her otherwise: our Ann was a
Canadian! Happily, she was able to get citizenship papers, and Ann became a citizen
of the U.S, fair and square!
Back to Patty and her new amnesiac friend, it’s not all playtime for our no-name hero, by any means! On closer
inspection, it turns out the natty gent has a nasty gash on his head, and he
can’t remember who he is, despite his sharp clothes. Even worse, Patty realizes
this dashing fellow is injured, all dazed with blood dripping (albeit tastefully
by 1945 suspense movie standards), without a clue as to where and who he’s from and
who he is.
Diagnosis from
Doctor Dorian:
Protagonist on a dark
Los Angeles
street, almost getting run over by our heroine’s taxi! Patty Mitchell ( poor
guy almost gets run over by a cab driver, just missing a hit-and-run from our dazed hero)!
 |
| This hat band is brimming over with clues! |
Luckily for our traumatized fella, he
finally catches a break with the help of Patty Mitchell (Rutherford from
Gone With The Wind;
The
Secret Life of Walter Mitty;
the comedy-mystery
Whistling in the Dark
and its three sequels, also in
Whistling in the Dark
and co-starring Rutherford and Red Skelton) feel sorry for our beleaguered
hero. Patty and her trusty hack, Harry – yes, that’s the name of Patty’s cab
(Hey, I have a car named “Moonpearl’, so why I shouldn’t our gal Patty have a
car called “Harry”? But I digress!) Patty realizes this dashing fellow is
injured, all dazed with blood dripping (albeit tastfully by 1945 suspense movie
standards), without a clue as to where who from and who he is. Diagnosis from
Doctor
Dorian:
Amnesia, the scourge of every
film noir victim, the poor devils! Our man
Patty and Patty go all through the night with wit and tenderness between the
zanier parts of our caper.
 |
| How we had to look things up before Google. |
Fun Fact:
In
addition
to being a busy film star at MGM
and
Samuel Goldwyn
(the latter being Goldwyn’s
The Secret Life of Walter Mitty),
Ann Rutherford
was also married for many years to David May, the head honcho of the May
Department store for the rest of their lives, I’m told, bless them!
Two O’Clock
Courage was a remake from 1936, starring Walter Abel, longtime
veteran of movies and Broadway. In fact, Abel played the amnesiac hero in the
1936 suspense drama
Two in the Dark, which was remade in 1945 with
Tom Conway and Ann Rutherford as
Two O’Clock Courage, hence our tale!!
Fun Fact:
Tom Conway has a brother: Oscar-winning Best Supporting actor
George
Sanders, Suave Fall of Fame Winner! He was also the Oscar-winning Best Supporting
Actor in
All About Eve!
 |
Either "Dave Renwick is a clothes horse,
or he's got a double life! |
 |
Ann Rutherford need her papers, - our hero made
sure Patty got hers! |
Along the way of this playful mystery
, our man
at least he east has a name, even though it’s a nickname. Our amnesiac
hero just might be a killer, yet he’s equally sure he’s
not a killer,
goshdarnit! The ever-perky Ann Rutherford plays the young actress/cabbie who
takes pity on poor helpless Conway and helps him find both his true identity and
the real murderer, with both warmth and zany comedy, including a nosy landlady,
complicating this dizzy case with nosy reporters (
Richard Lane of
Wonder Man)
and zany comedy. During their search for answers, our man and Patty run
into and afoul of L.A.’s Finest as the newspapers start asking for answers, too;
it’s always something!
Sometimes the broad comic
relief is jarring compared to the overall taut
film noir mood, but the
pace is fast, and Conway and Rutherford have a charming rapport. Jean Brooks
and Tom Conway especially moved me in their dramatic roles. Conway in
particular had a sad, haunted look in his eyes that touched our hearts.
 |
Service with a slam! |
Vinnie's pick - Strange Brew (1983) - "To Be or Not to be, eh?"
The genesis of
Great White North, possibly the most well known recurring skit from SCTV, is as eminently Canadian as the sketch. The show needed two minutes of "local" material to satisfy the stringent rules for Canadian Content. Dave Thomas sarcastically suggested that he and Rick Moranis dress up in flannel and parkas and ramble for two minutes in easy chairs in front of a map of Canada. The producers said that'd be fine, and Canada's favorite sons were born.
After TV fame and a hit record album (featuring
a hit single with lead vocals by Geddy Lee from Rush), the world of film was the obvious next step. With a script by Moranis and Thomas with help from Steve De Jarnatt (the devious maniac who brought us
Miracle Mile and
Cherry 2000), the McKenzies stepped into an expanded cartoony world in a tale that was blatantly ripped off from
Hamlet.
We first see the brothers as they introduce their science fiction magnum opus,
The Mutants of 2051 A.D. When the film breaks and the audience riots, Bob gives their father's beer money to a distraught father whose kids saved up their allowance to attend the premiere. This requires a clever plan to get their dad some beer, but as they are not clever men, they stuff a mouse in a beer bottle and attempt to complain for free beer. They're sent to the Elsinore (!) brewery, where most of the plot is located.
We meet in rapid succession Pam Elsinore (Lynne Griffin) who is set to inherit the company after the passing of her father, Claude Elsinore (Paul Dooley), her uncle and now step father, who married her mother just a tad too soon after the passing of her father (Like I said,
Hamlet) and Brewmeister Smith (Max Von Sydow) a man with plans for world domination through a plan that includes drugged beer, organ music, lunatics, and hockey.
With the exception of Thomas and Moranis, and magnificent character actor Paul Dooley, the cast of the film is largely made up of actors who are World Famous In Canada. Lynne Griffin has had a solid career in Canadian productions, as has Angud MacInnes who played ex-hockey star Jean laRose. Smith's assistant Brian McConnachie, in addition for a steady acting career and a writer for both SCTY and Saturday Night Live, is best known for being a writer for the National Lampoon, which was a vicious and magnificent humor magazine back in the day, as opposed to being nothing more than a brand name you can license and slap on your product like Black and Decker.
 |
"I could crush your head...like a nut.
But I won't. Because I need you."
Shakespeare couldn't have written a better line. |
But the star of the film is undoubtedly Max Von Sydow. He is that rarest of actors who can look at a script, figure out exactly how much fun he can have with a role, and deliver a performance that both shines and works perfectly in the film. This is a man who started working with Bergman in great works like
The Seventh Seal, played in a TV movie in
The Diary of Anne Frank, and yes, I was getting to it, was Ming the Merciless in the nigh-legendary version of
Flash Gordon. He's currently filming a part for the next Star Wars film. If there was a just and righteous God in heaven, he would again be playing Ming.
The film takes place in a mad cartoon-logic world where people can stay underwater for almost an hour by breathing the air trapped in empty beer bottles, ghosts communicate via video games, a man can drink an entire vat of beer, and dogs can fly if sufficiently bribed with the promised of beer and bratwurst.
It's a mad film that never fails to bring a smile to my face, and it was a delight popping it into the DVD player to enjoy again. I expect the same will be true for you.
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